Top Tips on Love and Relationships for Valentine’s Day…from Louise Weston
Top Tips on Love and Relationships from Louise Weston Louise Weston is a Registered Nurse from Queensland, Australia. She was the former co-ordinator of a…
Top Tips on Love and Relationships from Louise Weston Louise Weston is a Registered Nurse from Queensland, Australia. She was the former co-ordinator of a…
Top Tips on Love and Relationships from Sarah Hendrickx Sarah Hendrickx is a specialist Asperger syndrome trainer, consultant and coach, providing individual, couple and family support…
Top Tips on Love and Relationships from Jonathan Griffiths Jonathan Griffiths designs software for a living and had no girlfriend until the age of 22,…
Top Tips on Love and Relationships from Rudy Simone Rudy Simone is an Aspergirl, writer and AS consultant who lives in the San Francisco Bay…
Before Christmas, JKP author Josh Muggleton came to our offices and recorded a series of top tips for parents, professionals and people with Asperger syndrome,…
“The idea was born out of a spirit of collaboration that came up when we noticed that our students were working on similar projects but with an OT or SLP spin. Another way we came together was when the speech team would make quesadillas with the students to work on sequencing, vocabulary and describing goals. And the OT would say, “Can I jump into your activity to practice cutting the quesadilla into triangles with my student?” And so we began to purposely create activities around both OT and SLP goals. We recently found out that the University of California – San Francisco has built therapy rooms for the explicit purpose of the collaboration between therapists. This is a wonderful step towards collaborative therapy.”
“The formula (called the Dramatic Formula) in the book presents each step with a specific skill that the students need in order to succeed in the drama, while at the same time balancing the level of stimulation for the students so they can focus on each section. Structure and balance of stimulation are the two main factors which give this book success. These two elements allow the students to succeed in a safe and nurturing environment.”
“The activities in the book capitalize on AD/HD traits because I use the traits as the vehicles to complete the task. AD/HD students like to move, so activities include jumping answers, and singing facts, and activities that are interesting enough to promote focus. The child is empowered to make tents, read on the floor, discuss emotions, and pop bubble paper.”
“Looking back I think that one of the main factors that inspired me to turn the yoga play into a book was the feedback from the children. I have lost count of the amount of times that children would tell me how they had used the techniques to deal with incidents in their lives. Problems ranging from being angry at siblings who stole their sweets or broke their toys, to being the calming influence in big family arguments. My two favourites will always be: the nine-year old boy who was terrified of the dentist and who quietly sat in the waiting room, and ultimately the dentist’s chair, practising his Crocodile Breath to calm himself; and the ten year old girl, who was angry with her parents, who would go to her room and practice Woodchopper Breath every day for three weeks, who eventually came and told the class teacher and me that that she had Haaaa’d out her anger.”
“Professionals need to feel comfortable as facilitators of parents’ learning and engagement with their child at home, rather than seeing themselves as therapist experts who work one-on-one with children. While the latter is sometimes necessary, the former is where we can have the biggest long-term impact on helping parents realise their full potential and assisting them to maximise their daily interactions with their child so that they become more responsive to their child’s needs and communicative attempts. This builds positive parent-child relationships.”