JKP author Jonathan Shailor on the benefits of prison theatre and his new book ‘Performing New Lives’

“Prison theatre works because it provides a sanctuary apart from the harsh prison environment, where it is safer to be vulnerable, to self-disclose, and to experiment with new ways of expressing oneself and relating to other people. There is both support, and structure. We have a play to perform. We are accountable to one another. In programs that culminate with performances for prison audiences, and (especially) public audiences, there is an opportunity for prisoners to display and celebrate the culmination of their weeks or months of hard work. They can show themselves to themselves in the mirror of the audience, as people of value, as people who can make a contribution.”

‘Creative Care and the Capacity to Play’ – An excerpt from The Creative Arts in Dementia Care, by Jill Hayes with Sarah Povey

“In working in dementia care we need often to let ourselves become foolish, unconventional, stop making sense. I have been thrilled to meet staff who at the drop of a hat will dress up, play the guitar, sing uproariously…or who have the capacity to sit quietly with someone without an agenda. It is this joy of the crazy and the still, this lightness of being, which is refreshing and life-promoting in the work that we do. We can play with balloons, blow bubbles, doodle, improvise. We don’t have to make a finished product. By creatively and somatically being with a person we can instil a sense of safety, of physical and emotional security.”

Chris Nicholson on Creative Therapeutic Approaches with traumatised young people

“Through sensitively handled, creative interaction and by the use of ‘creative’ approaches with traumatised young people their characteristic rigidity begins to loosen. New possibilities emerge, the mutative nature of create endeavours. In time, they may be able to see painfully familiar situations in different and helpful ways that can lead to their forming a new response.”