Dr Gillie Bolton is a renowned therapeutic writing practitioner and author of many JKP books, including Write Yourself: Creative Writing and Personal Development. In this…
“I think the most common problem I encounter with the students I work with is defiance – not doing what is asked of them in the classroom setting. However, after working with the student and finding out more about him, there are almost always other issues that are impacting the student and influencing his behavior. He may be behind his peers academically and feel embarrassed in the classroom… She may not have a consistent place to live or not know where her next meal is coming from each day. Arts-based activities provide students with a safe outlet to discuss these issues and allow the student and counselor to identify ways to handle them.”
“Bio-Guided Music Therapy is not just a good way to document the physiological impact of music therapy sessions…the process itself is a vital and dynamic form of therapy in its own rite. BGMT offers the unique opportunity to craft a Music Therapy session in real time based on the client’s physical responses.”
“Children with ASD appear to have intact pattern perception and production ability. They also tend to follow the Gestalt style of language acquisition which is based on the pattern perception. In parallel, all of the musical behaviors require pattern perception and production; and these abilities are commonly found in children with ASD. It follows that patterns in music can facilitate the Gestalt style of language acquisition and the consequent speech- language development in children with ASD.”
“This book comes at a time when world events indicate our need to see from the perspective of the other or others… Authors from different communities and cultures come together in this book to help us all stretch our ways of seeing and practicing. Art therapists are in a unique position to use our life-giving creative energies to create positive change in the world.”
“I have so many memorable experiences of using Developmental Drama: Someone’s face full of laughter and sheer joy when their name is ‘drummed’ to a climax in the warm-up…The sudden, unexpected and totally right response to a new event in the story…A whole group of children with multi-sensory impairment huddled together, looking upwards in wonder at a new and bright ‘hole in the sky!’ It goes on and on. I am a very lucky person.”
“I believe that something can only be changed when it has been fully embraced first and then it seems to drop away. Trying to change by will does not work and is a kind of violence because it is imposed, even if it is ourselves that is imposing it. So in order to facilitate change, we need to listen and accept first.”
“Through individual and group work we aim to get to know a child really well in order to identify their strengths as well as their weaknesses. We also work closely with parents and have an opportunity to see how family relationships work on a day-to-day basis. We use the information we gain from these close observations to establish a holistic, integrated understanding of all the important factors driving the child’s problems and then use this to plan interventions.”
“Drama and theatre has historically been portrayed as a mirror to the human condition, raising questions and reflecting aspects of how we understand and relate to ourselves and each other. By holding the mirror of drama up to the mirror of social skills building neuron activity, we illuminate previously obscured angles, empowering a practical as well as metaphorical peripheral vision of sorts.”
“My personal passion for continuing this work with the incarcerated is driven by my bearing witness to the transformational awakening of the empathic humanity within inmates who were unaware of the innate goodness that dwelt within them, awaiting discovery.”