Rehabilitation Through the Arts at Sing Sing: An Interview with Brent Buell, contributor to ‘Performing New Lives’

“We all spend much of our lives building up defenses against an unfriendly world, an uncomprehending universe. That surely is true of the men I met and taught in prison. They were like me. They were tough guys hoping that someone somewhere could reach that almost-forgotten part of them, break it loose, set it free and let them feel human again. After all, to portray a character is to find that character’s heart—and in the process to find your own.”

Reminiscence and Life Story Work – The Importance of Remembering Our Life’s Journey

“From infancy to old age, the recall of personal memories serves to establish identity, safeguard self esteem, assist communication, enhance relationships, and preserve and transmit personal, family and community history. By valuing memories people are helped to value themselves when developmental challenges, current circumstances, transitions, failing health and increasing age assail us.”

Salvation through Shakespeare: An Interview with Laura Bates, contributor to ‘Performing New Lives: Prison Theatre’

“When I was invited to contribute a chapter to this important anthology, I knew that I wanted to focus on one prisoner [Larry]…[T]he second half of the chapter…relates his transformational journey through the works of Shakespeare, using his analysis of the characters to provide a self-analysis that was truly life-altering. As one example, we focus on the character of Macbeth, examining some parallels between that character and Larry’s early criminal experiences. While some of those parallels are disturbing, the chapter concludes with the celebration of Larry’s ‘salvation through Shakespeare.'”

Pioneering Play and Dramatherapist Dr Sue Jennings on Healthy Attachments and her theory of Neuro-Dramatic-Play (NDP)

“True empathy is part of a very genuine understanding of the other person. And we learn this through dramatic playing which we can observe in the first few hours after a baby is born: they will try to imitate the expression on the mothers face…the baby is responding as if they are the mother; this ‘dramatic response’ continues to develop in those early weeks and months, like a life rehearsal for the development of empathy.”

JKP author Jonathan Shailor on the benefits of prison theatre and his new book ‘Performing New Lives’

“Prison theatre works because it provides a sanctuary apart from the harsh prison environment, where it is safer to be vulnerable, to self-disclose, and to experiment with new ways of expressing oneself and relating to other people. There is both support, and structure. We have a play to perform. We are accountable to one another. In programs that culminate with performances for prison audiences, and (especially) public audiences, there is an opportunity for prisoners to display and celebrate the culmination of their weeks or months of hard work. They can show themselves to themselves in the mirror of the audience, as people of value, as people who can make a contribution.”