Using sandtray play to enrich the learning experience
In this illuminating interview, Sheila Dorothy Smith – author of the new book, Sandtray Play and Storymaking – discusses sandtray play with a teacher colleague who is interested…
In this illuminating interview, Sheila Dorothy Smith – author of the new book, Sandtray Play and Storymaking – discusses sandtray play with a teacher colleague who is interested…
In this video, Lorri Yasenik and Ken Gardner explain their Play Therapy Dimensions Model, a decision-making tool that is already being used worldwide. The Play…
Encouraging imaginative play in the classroom is an effective way to teach young children how to think creatively and interact socially – vital parts of…
” I hope readers will become less afraid of rocking the boat of authority that urges us to make the child talk in adult terms about what the adult world deems important to them. Rather than having children be obedient patients, I want to encourage us to attempt in our work to foster true self-possession, knowing how very hard it is to achieve. I urge us all to fight the tendency to negate emotion, to negate aggression, to negate anything and everything that pulsates with life and therefore stirs things up.”
“With rare exceptions, the academic and professional world doesn’t support a dynamic approach to play therapy (or often the use of play in therapy at all). There is an ever-greater thrust to pathologize the child and the family and this is often where the therapist/therapy stops: diagnosis leads to stasis. This needn’t be so. We can and should have an understanding of what is going on in the child and in their life, but unless we then engage the child in real play, we have not accomplished much. Children need to be allowed to be children and speak their language not ours.”
“The deeper [sand]box, with its capacity for burying and sinking and erupting, fit the overall view I have developed which I call Dynamic Play Therapy. My approach is interactive and encourages and even provokes what I see as contained wildness in the service of healthy ego development and a natural sense of self-regulation. The work and my thinking about it still continue to evolve. Even as I write these words new ideas are surfacing based on sessions this week with several children. … My interest has been to understand how children experience their lives and best speak about them, knowing that their language is fundamentally different than ours as adults. They speak in images just as we dream in images. So I spend my days offering them materials and a safe space in which to speak thus.”
“…historically, the intervention for children with emotional and behavioural difficulties has generally been based on behaviour improvement on a cognitive level rather than looking at the meaning behind the behaviour. For a school to accept that a deeper understanding and interpretation of behavioural difficulties is necessary to meet a child’s needs on a sustainable level is a big leap of faith. Therapy is about change and the capacity to maintain changes, and this book can help allay the fears that prevent schools from embracing this mode of intervention.”
“The formula (called the Dramatic Formula) in the book presents each step with a specific skill that the students need in order to succeed in the drama, while at the same time balancing the level of stimulation for the students so they can focus on each section. Structure and balance of stimulation are the two main factors which give this book success. These two elements allow the students to succeed in a safe and nurturing environment.”
“Our journey [into Family Attachment Narrative Therapy (FANT)] really started when an adoptive parent commented, “I wish I could rewind the tape on this kid and start his life all over again.” That statement led to a story about what it could have been like and should have been like for that child – re-doing the narrative of his life.”
“I think the most common problem I encounter with the students I work with is defiance – not doing what is asked of them in the classroom setting. However, after working with the student and finding out more about him, there are almost always other issues that are impacting the student and influencing his behavior. He may be behind his peers academically and feel embarrassed in the classroom… She may not have a consistent place to live or not know where her next meal is coming from each day. Arts-based activities provide students with a safe outlet to discuss these issues and allow the student and counselor to identify ways to handle them.”