Mastering Approaches to Diversity in Social Work – An Interview with Linda Gast and Anne Patmore

“On the whole newly qualified social workers are not very confident in talking about diversity. It is an area that receives considerable attention during training, but there is often a sense that there is a ‘right answer’ and people are frightened of speaking for fear of getting it wrong. Most people do not want to offend anyone else, so become self-monitoring and wary of the subject. It is only in a spirit of learning – where we can all get things wrong on occasion, and need others to be able to point things out and explain why particular words, phrases or behaviours are not acceptable to them – that we are then able to modify our own behaviours.”

Mastering Social Work Supervision – An Interview with Jane Wonnacott

“One of the reasons that I am so convinced about the importance of supervision is the experience I had as a trainee social worker over thirty years ago. My supervisor was absolutely committed to social work, genuinely interested in me and how I was developing, challenged me when needed and encouraged me to try out new ways of working. At times I might have taken a few (manageable) risks, but it was a from a safe secure base. I think it was the combination of a supervisor who was motivated herself and able to motivate and encourage others that made the diference.”

Helping adopted children develop secure attachment using Family Attachment Narrative Therapy (FANT) – An Interview with Denise Lacher

“Our journey [into Family Attachment Narrative Therapy (FANT)] really started when an adoptive parent commented, “I wish I could rewind the tape on this kid and start his life all over again.” That statement led to a story about what it could have been like and should have been like for that child – re-doing the narrative of his life.”

An Interview with Josh Muggleton, author of ‘Raising Martians’

“There is lots of information in the book, and I really hope that people take that on board, but to me, what is more important is that they gain an understanding of, and an insight into life with Asperger Syndrome. If you understand someone with Asperger Syndrome, then knowing that it is named after Hans Asperger is redundant. While that sort of information might be interesting, it is far more useful to know how the person with Asperger Syndrome thinks: what he or she might find hard and why, what things might set them off, and what things will calm them down, what things they will be really good at, and what things they might struggle at.”

Using solution focused approaches to connect with young service users with behavioural difficulties

“When we begin our work with children, young people and their families we work towards establishing what their goals for the work would be by asking such a question as: ‘How will you know that the work of The Junction has been helpful?’ Inevitably there are times when a young person will make reference to no longer needing to come to the service. Whilst this could be construed as a negative comment it is clearly understandable. Furthermore, it enables us to ask questions that appropriately place responsibility on the young person: What needs to happen? What do you need to do differently? What do you need to demonstrate to others for them (professionals) to be confident that you no longer need to come?”

Incorporating Music into Speech and Language Therapy for Kids with Autism Spectrum Disorders – An Interview with Dr. Hayoung Lim

“Children with ASD appear to have intact pattern perception and production ability. They also tend to follow the Gestalt style of language acquisition which is based on the pattern perception. In parallel, all of the musical behaviors require pattern perception and production; and these abilities are commonly found in children with ASD. It follows that patterns in music can facilitate the Gestalt style of language acquisition and the consequent speech- language development in children with ASD.”

“One should never underestimate the capabilities of children with special needs or their creativity.” – An Interview with Johanne Hanko

“…one of my favorite games [in the book] is ‘Contemporary Music or Drawing Music’ (activity #80, page 103) because I was told not to use this game with children with differentiated capacities or in mainstream classes because it would lead to failure: ‘Children in special education and elementary school children cannot compose,’ I was told. Well I can tell you this is not true. I was amazed to see the creativity of some of the children, while all came up with something different and interesting; some compositions were quite beautiful. One should never underestimate the capabilities of children with special needs and their creativity.”