Podcast: Dramatic Problem Solving with Steven T. Hawkins
Steven Hawkins, author of new book Dramatic Problem Solving: Drama-Based Group Exercises for Conflict Transformation, speaks to This is Wisdom – Radio about his background in…
Steven Hawkins, author of new book Dramatic Problem Solving: Drama-Based Group Exercises for Conflict Transformation, speaks to This is Wisdom – Radio about his background in…
May 24th, 2012 saw the book launch of the Play Therapy Dimensions Model: A Decision-Making Guide for Integrative Play Therapists by Lorri Yasenik and Ken Gardner, held…
On 29th June 2012 Claire Schrader hosted a celebration of Ritual Theatre: The Power of Dramatic Ritual in Personal Development Groups and Clinical Practice. The…
Here, drama therapist Penny McFarlane shares two fun useful activities from her latest book, Creative Drama for Emotional Support, that will enable parents, carers, teachers, youth workers and others to help…
In this video, Lorri Yasenik and Ken Gardner explain their Play Therapy Dimensions Model, a decision-making tool that is already being used worldwide. The Play…
Encouraging imaginative play in the classroom is an effective way to teach young children how to think creatively and interact socially – vital parts of…
“Connection is not based on identification with others’ experiences or reciprocal sharing but rather on, assisting others and being assisted by others in the search for answers. We might even say that systemic constellation work is not really a group therapy but rather a therapeutic group experience.”
“…historically, the intervention for children with emotional and behavioural difficulties has generally been based on behaviour improvement on a cognitive level rather than looking at the meaning behind the behaviour. For a school to accept that a deeper understanding and interpretation of behavioural difficulties is necessary to meet a child’s needs on a sustainable level is a big leap of faith. Therapy is about change and the capacity to maintain changes, and this book can help allay the fears that prevent schools from embracing this mode of intervention.”
“The formula (called the Dramatic Formula) in the book presents each step with a specific skill that the students need in order to succeed in the drama, while at the same time balancing the level of stimulation for the students so they can focus on each section. Structure and balance of stimulation are the two main factors which give this book success. These two elements allow the students to succeed in a safe and nurturing environment.”
“…the book is about how ritual theatre can be expressed in a contemporary way that fits in with the way our lives are. People are hungering for this because the technological age is making us more and more disconnected, more in our heads and this is producing tremendous suffering under the labels of stress, fatigue and health problems. Ritual theatre along with the Arts Therapies counteract this. So the book includes ways in which ritual theatre is being brought into hospitals, institutions and work with marginal groups as well as to the general public.”